The classical record business gained a new lease on life in the 1980s when period instrument performances of baroque and classical music began to assume a place on the stage. This return to the past found its complement in the musical ascension of the American minimalists, in particular the music of Steve Reich, Philip Glass and John Adams, and smaller specialty labels that focused on experimental composers like John Cage. During this period of change — of classical music's transition of looking both forward and back — Rob Haskins served as a reviewer for "The American Record Guide," tracing these evolutions while also attending to works emerging from within the mainstream of classical music performance and composition.
"Classical Listening: Two Decades of Reviews from 'The American Record Guide'" collects the several hundred reviews produced since Haskins's start in the mid-1990s. A performer and musicologist, Haskins writes delightful, cogent reviews that unapologetically reflect his personal experience, musical interests and professional background, emphasizing the value of subjectivity in music criticism. Witty, provocative and eloquent, Haskins's book reads like a diary of personal experience even as it addresses important topics as diverse as historical performance practice and the aesthetics of contemporary music. It is also a perfect guide to buying or listening for the classical music devotee seeking an informed opinion on the breadth of remarkable recordings available.
Talking New Orleans Music: Crescent City Musicians Talk about Their Lives, Their Music, and Their City
by Burt Feintuch, photographs by Gary Samson
University Press of Mississippi (November 1, 2015)
In New Orleans, music screams. It honks. It blats. It wails. It purrs. It messes with time. It messes with pitch. It messes with your feet. It messes with your head. One musician leads to another; traditions overlap, intertwine, nourish each other; and everyone seems to know everyone else. From traditional jazz through rhythm and blues and rock 'n' roll to sissy bounce, in second-line parades, from the streets to clubs and festivals, the music seems unending.
In Talking New Orleans Music, author Burt Feintuch has pursued a decades-long fascination with the music of this singular city. Thinking about the devastation — not only material but also cultural — caused by the levees breaking in 2005, he began a series of conversations with master New Orleans musicians, talking about their lives, the cultural contexts of their music, their experiences during and after Katrina, and their city. Photographer Gary Samson joined him, adding a compelling visual dimension to the book.
Here you will find intimate and revealing interviews with eleven of the city's most celebrated musicians and culture-bearers — Soul Queen Irma Thomas, Walter "Wolfman" Washington, Charmaine Neville, John Boutté, Dr. Michael White, Deacon John Moore, Cajun bandleader Bruce Daigrepont, Zion Harmonizer Brazella Briscoe, producer Scott Billington, as well as Christie Jourdain and Janine Waters of the Original Pinettes, New Orleans's only all-woman brass band. Feintuch's interviews and Samson's sixty-five color photographs create a powerful portrait of an American place like no other and its worlds of music.
Toward the Next Generation of Bystander Prevention of Sexual and Relationship Violence: Action Coils to Engage Communities
by Victoria L. Banyard
Springer (October 14, 2015)
This brief integrates and synthesizes an array of research about who helps others and under what conditions and discusses the implications of this research for a bystander intervention focused prevention agenda to reduce sexual and relationship violence in schools and communities. It combines an examination of bystander helping behavior in the specific context of sexual and relationship violence with social psychological research on bystander behavior outside that context in order to inform prevention efforts. This brief is designed for researchers, practitioners, and students concerned about violence prevention and who are interesting in bystander intervention as a promising prevention strategy. Connections between research and practice are the foundation of this brief.
The brief addresses the following questions: What is the promise of a bystander approach to violence prevention? Where does it fit within the spectrum of sexual and relationship violence prevention? How do we expand theoretical models of helping behavior to the unique context of interpersonal violence? How can we bring in research from other areas of health behavior change and developmental research on violence to inform a broader bystander action model? It provides a new synthesis and model of bystander interaction. It outlines a strategic plan for new research and next steps in prevention practices.
Clearing the Ground: C.P. Cavafy Poetry and Prose, 1902-1911
translations and essay by Martin McKinsey
Chapel Hill: Laertes (October 7, 2015)
"Clearing the Ground" illuminates a crucial decade of Cavafy's artistic development, marked at one end by a period of personal crisis and near creative stasis, at the other by the poetic force of the celebrated "Ithaca." The years in between are held together by the "Unpublished Notes on Poetics and Ethics."
Part private confession, part public pronouncement, part journal entry and philosophical pensée, these "Notes" were recorded between 1902 and 1911. In some of them, according to the eminent critic G. P. Savidis, Cavafy attempted to formulate "thoughts and feelings never before uttered" in his own language - in certain cases, in any language.
The full body of the notes is correlated in this volume with the poetry Cavafy was writing contemporaneously - in particular the startling "hidden poems" begun in 1904. What emerges is a striking narrative of artistic and personal becoming.
The afterward by Martin McKinsey examines Cavafy's sexuality and accompanying pressures in historical context and suggests the part they may have played in his poetic breakthrough.
This is a revelatory work for students and lovers of Cavafy - one of the great outsider poets of the twentieth century.
The insightful and provocative stories in Tom Paine’s collection spring from a series of seismic events that rocked the post-millennium world. News headlines from the last decade―the fall of Baghdad, the Occupy Wall Street movement, and the BP oil spill―not only inspire the settings but also raise ethical questions that percolate throughout this ominous and timely work.
A stark reminder of the challenges and resultant anxiety facing a global society, A Boy’s Book of Nervous Breakdowns depicts the simultaneously dreamlike and brutally real experience of witnessing contemporary political and environmental catastrophes. Paine approaches the second U.S. invasion of Iraq through the eyes of a CBS radio journalist and her desperate Iraqi translator as they report the opening months of the attack and dodge dan- ger with a newborn in tow. In other stories, a father blames global warming for the drowning death of his daughter and journeys by horseback across the last of the Montana glaciers; a Japanese reggae band struggles under the radioactive umbrella of the Fukushima nuclear disaster; and a genius at Goldman Sachs invents a money-making algorithm, then ends his days with a tribe of headhunters in the Amazon.
Paine masterfully orchestrates these episodic depictions of a failing civilization, however unnerving, through a wide array of perspectives, each tied to the other by Cassandra-like prophecies. Immediately compelling, A Boy’s Book of Nervous Breakdowns confronts the harsh realities of our time with imaginative and moving vignettes that reinforce the fragility, greed, and heartache of the human condition.