Traditional Jazz Series 2025-2026

For the 2025-2026 season, all Traditional Jazz Series 

events will take place at the Portsmouth Music Hall. 

https://www.themusichall.org/

 

Traditional Jazz Series #287: Cécile Salvant and Sullivan Fortner

Headshot for Cecile McLorin

Monday, April 20, 2026, at 7:30pm.

Cécile McLorin Salvant is a composer, singer, and visual artist. The Late Jessye Norman described Salvant as “a unique voice supported by an intelligence and full-fledged musicality, which light up every note she sings.” Salvant has developed a passion for storytelling and finding the connections between vaudeville, blues, folk traditions from around the world, theater, jazz, and baroque music. Salvant is an eclectic curator, unearthing rarely recorded, forgotten songs with strong narratives, interesting power dynamics, unexpected twists, and humor. Salvant won the Thelonius Monk competition in 2010. She has received Grammy Awards for Best Jazz Vocal Album for three consecutive albums, “The Window,” “Dreams and Daggers,” and “For One To Love,” and was nominated for the award in 2014 for her album “WomanChild.” In 2020, Salvant received the MacArthur fellowship and the Doris Duke Artist Award. “Ghost Song”, Salvant’s debut for Nonesuch Records, was released in March 2022 to critical acclaim, and has gone on to receive two Grammy Nominations.
 

Traditional Jazz Series #286: Tierney Sutton and Tamir Hendelman

Headshot for Tierney Sutton

Monday, February 23, 2026, at 7:30pm.

Nine-time Grammy-nominated jazz vocalist Tierney Sutton has received a Best Jazz Vocal Album Grammy nomination for every project she has released in the last decade. Known for her impeccable voice and imaginative treatments of The Great American Songbook, Sutton is heralded for her abilities as both a jazz storyteller and her ability to use her voice as an instrument. 

Sutton’s fourteen recordings as leader have addressed themes such as materialism (“Desire” 2009), the pursuit of  happiness (“On The Other Side” 2007), as well as paying tribute to the music of Bill Evans (“Blue In Green” 2002), Frank Sinatra (“Dancing In The Dark” 2004), and pop icon Sting (“The Sting Variations” 2016). Her 2013 Joni Mitchell tribute, “After Blue” featured keyboardist Larry Goldings, drummer Peter Erskine, jazz vocal legend Al Jarreau, and NEA Jazz Master flautist Hubert Laws.

Tamir Hendelman Headshot

Award-winning jazz pianist Tamir Hendelman has performed with the Jeff Hamilton Trio, the Clayton-Hamilton Jazz Orchestra, Harry Allen, Teddy Edwards, Warren Vache, Houston Person, Jeff Clayton, Nick Brignola, Phil Upchurch, Rickey Woodard, John Clayton and Barbara Morrison. He also leads his own trio and his debut CD "Playground" features him in this trio setting.

Since returning to LA in 1996, Tamir has been in steady demand as pianist and arranger, touring the US, Europe and Asia, and receiving awards from ASCAP and National Foundation For Advancement in the Arts. In 1999 Tamir was a guest soloist with the Henry Mancini Institute Orchestra. Tamir joined the Jeff Hamilton Trio in 2000, contributing arrangements, recording and touring Japan, Europe and the US. In 2001 he became a member of the Clayton-Hamilton Jazz Orchestra, with whom he premiered John Clayton's new orchestration of Oscar Peterson's Canadiana Suite in the Hollywood Bowl in 2001. In 2002 he also toured Europe with Tierney Sutton and the Bill Holman Big Band. Tamir musically directed Julia Migenes' s "Alter Ego" and played/arranged on Roberta Gambarini's "Easy To Love."

 

Traditional Jazz Series #285: Camille Thurman

Camille Thurman

Monday, November 3, 2025, at 7:30pm.

As an accomplished composer, esteemed saxophonist, vocalist, and unique interpreter of the jazz tradition, Camille Thurman is quickly becoming one of the leading standard bearers of the art form, making a considerable and dynamic contribution to the legacy of jazz while paying tribute to its heroes. Referred to as the “classic double threat” by NPR, Camille Thurman excels on both tenor saxophone and vocals, establishing herself as a powerhouse virtuoso musician and an electrifying, trailblazing artist. The New York City-born artist has drawn comparisons to Ella Fitzgerald, Sarah Vaughan, Dexter Gordon, and Joe Henderson. DownBeat Magazine describes Camille as a performer poised to shape jazz for decades to come. She made a historic and memorable impact as the first woman to perform and tour full-time with the Jazz at Lincoln Center Orchestra in the tenor saxophone chair from 2018 to 2020. As a respected bandleader and composer, she has headlined numerous prestigious concert venues and jazz festivals around the world, including the Kennedy Center and Alice Tully Hall. Camille has released five full-length recordings as a leader and has been nominated for an NAACP Image Award. Her latest project, Confluence: Vol 1, is a collaboration with master drummer Darrell Green and his quartet.

 

Traditional Jazz Series #284: The Count Basie Orchestra

Count Basie Orchestra

Monday, September 22, 2025, at 7:30pm.

In the history of jazz music, there is only one bandleader that has the distinction of having his orchestra still performing sold out concerts all over the world, with members personally chosen by him, for nearly 40 years after his passing. Pianist and bandleader William James “Count” Basie was and still is an American institution that personifies the grandeur and excellence of Jazz. The Count Basie Orchestra, today directed by Scotty Barnhart, has won every respected jazz poll in the world at least once, won 18 Grammy Awards, performed for Kings, Queens, and other world Royalty, appeared in several movies, television shows, at every major jazz festival and major concert hall in the world.


The Traditional Jazz Concert Series is made possible by a generous gift from the estate of Ms. Dorothy C. Prescott. Ms. Prescott, in collaboration with the UNH Music Department, inaugurated the Series in 1979 as a way to promote the enjoyment and understanding of the art of jazz. The Series features musicians of regional, national and international prominence and has become an important tradition at the University of New Hampshire. Learn more.