Museum of Art

Exhibitions & Events

January

21

Dan Mills: Human Topographies and Amy Stacey Curtis: Transfer 10:00 AM to 4:00 PM

10:00 AM to 4:00 PM - Paul Creative Arts Center Museum of Art: Dan Mills: Human Topographies Human Topographies presents a narrow slice of the artist’s wide-ranging and decades-long interest in history, exploration, and games and wordplay to investigate networks—networks of power, trade, and migration that underpin societies, nationally and globally. Mills makes luminous and layered paintings and collages about our shared human history utilizing maps and data to expose the legacies of imperialism: war, colonialism, and the forced displacement of people. Amy Stacey Curtis: Transfer The idea of shared authorship—that visitors complete a work of art through their own understanding—is an organizing principle in Amy Stacey Curtis’ conceptual art practice. Her minimal, yet ambitious, sculptures and installations are activated through audience participation. Visitors to Transfer and mirror IV are invited to touch, perpetuate, and resolve of the exhibit’s ﬁve unique works according to a prescribed set of Curtis’ instructions. Supported by the Winthrop L. Carter Gift FundMuseum is Closed March 16–20, 2020RECEPTION:Thursday, February 6, 2020, 5–7pm

January

22

Dan Mills: Human Topographies and Amy Stacey Curtis: Transfer 10:00 AM to 4:00 PM

10:00 AM to 4:00 PM - Paul Creative Arts Center Museum of Art: Dan Mills: Human Topographies Human Topographies presents a narrow slice of the artist’s wide-ranging and decades-long interest in history, exploration, and games and wordplay to investigate networks—networks of power, trade, and migration that underpin societies, nationally and globally. Mills makes luminous and layered paintings and collages about our shared human history utilizing maps and data to expose the legacies of imperialism: war, colonialism, and the forced displacement of people. Amy Stacey Curtis: Transfer The idea of shared authorship—that visitors complete a work of art through their own understanding—is an organizing principle in Amy Stacey Curtis’ conceptual art practice. Her minimal, yet ambitious, sculptures and installations are activated through audience participation. Visitors to Transfer and mirror IV are invited to touch, perpetuate, and resolve of the exhibit’s ﬁve unique works according to a prescribed set of Curtis’ instructions. Supported by the Winthrop L. Carter Gift FundMuseum is Closed March 16–20, 2020RECEPTION:Thursday, February 6, 2020, 5–7pm

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Museum Hours

September - May
Monday, Tuesday, Wednesday and Friday: 10 a.m.-4 p.m.
Thursday: 10 a.m.-6 p.m.
Saturday: 12 - 4 p.m.

Closed Sunday
The museum is closed during the summer. University holidays, and during exhibition changes.

Administrative office hours (year-round)
Monday – Friday: 8 a.m. – 4:30 p.m.

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Permanent COLLECTION

The Collections

The Museum of Art of the University of New Hampshire maintains a permanent art collection intended for use in exhibitions, teaching, and research. Since it is in part a teaching collection, attention must be given to coordinating our acquisitions with academic needs. The major goal of the museum is to acquire works of art of the highest quality in accordance with the museum's Collection Guidelines. The Museum holds its collection in the public trust which obligates acting in accordance with the National Standards and Best Practices for U.S. Museums and The Code of Ethics for Museums from the American Alliance of Museums.