Orly Cogan: Children of Eden

August 29- October 12, 2019

Reception, Thursday, September 5,  5 p.m. – 7 p.m.

Artist Talk: September 5, 5:15–6 pm
Orly Cogan will lead a discussion about her studio practice and works on view. Museum of Art, PCAC, Reception to follow 6-7pm

Orly Cogan uses embroidery to transform vintage printed textiles into contemporary explorations of feminine archetypes and stereotypes. Drawing upon historic events, pop-culture, fairy tales, and personal experiences, Cogan creates humorous and imaginative hand-stitched narratives that consider themes such as sexuality, feminism, domesticity, and power to portray the evolving role of women in society.

Orly Cogan, Feast (detail), hand stitched embroidery, appliquet and paint on vintage linen, 69” x 32”

Orly Cogan, Feast (detail), hand stitched embroidery, appliquet and paint on vintage linen, 69” x 32”


Andy Warhol: #NOFILTER

From the 60’s to 1987, Andy Warhol carried a camera with him to document intimate and personal events and social engagements, or to create photographs for commercial purposes. A prescient artist infatuated by fame and a compulsive diarist, Warhol understood long before the internet the power of photography to cultivate, massage, and maintain a public persona. The exhibition includes behind the scenes
black and white photographs of his friends and acquaintances, Polaroid images used for his silk-screen paintings, as well as, a selection of silkscreen prints.


Andy Warhol Ladies and Gentlemen 1975 color screenprint Collection of the Museum of Art UNH 2013.4.2 Designated for research and educational purposes only © The Andy Warhol Foundation for the Visual Arts Inc.

The Odyssey Project: An Old Story for Modern Times

October 24- December 14, 2019
(Closed Nov 11, Nov 28-29)

Reception: Wednesday, October 30, 4:30-6:30 p.m.

Fifteen women artists, all members of a long-running book group, were inspired to create art in response to Emily Wilson’s remarkable new translation of The Odyssey; the first English translation by a woman. The artists explore in different styles and media the characters and topics covered in Homer’s ancient poem: the meaning of home; the near impossibility of returning home; loyalty; families; migrants; war; poverty; identity; transformation.

Addtional programs: 

The Odyssey: A new adaptation written by Prof. David Richman

Opening night  Wednesday, October 30- 7 p.m., Johnson Theatre: Produced as part of a special collaboration with the Museum of Art and Dept of Art and Art History. For tickets: www.unharts.com or 603-862-7222. The Odyssey: A new adaptation will run through Sunday, November 3.

Wednesday, November 20, 12:10pm–1:10 p.m. Talk: The Odyssey Project: An Old Story for Modern Times, Ruth Fields, Jane Kamine, Colleen Kiely, Jennifer Moses and Sterling Mulbry. Join us to hear how each artist created a visual response to Emily Wilson’s fresh perspective in her newest translation of Homer’s Odyssey. Museum of Art, PCAC

Wednesday, December 11, 12:10-1 p.m. Lecture: Coming Home and Being Home in Homer’s Odyssey, Dr. Stephen. Trzaskoma, Director, Center for the Humanities, discusses the ancient Greek concept of home and the hardships Odysseus and his family endure during his journey to return home after the Trojan War. A218, PCAC

Karen Moss, Circe’s Powers, 2019, mixed media on paper, 22” x 30”

Karen Moss, Circe’s Powers, 2019, mixed media on paper, 22” x 30”

Emily Mason: To Another Place

October 24- December 14, 2019


This exhibition traces the artistic arc of a career of a painter who encounters the world as a seamless aesthetic experience. Mason revels in the

beauty of paint itself. She explores and exploits it materiality, pushing technique to the edge. She possesses a remarkable constancy of vision supported by an increasingly nuanced mastery of paint and form. Organized by the Brattleboro Museum Art Center. 

Additional Programs:

Wednesday, December 4, 12:10–1 p.m. Talk: Emily Mason: To Another Place, Chief Curator, Brattleboro Museum & Art Center, Mara Williams discusses works on view. Museum of Art, PCAC

Image credit: Emily Mason, Bust with Majesty, oil on paper, Collection of the Museum of Art UNH frames 20” x 40”, 2015.2.1

Emily Mason, Bust with Majesty, 1975, oil on paper, framed 20” x 40”, Gift of Louis Newman of the David Findlay, Jr. Gallery, Collection of the Museum of Art, UNH, 2015.2.1




Exhibitions at the Museum of Art

The Museum of Art presents eight to ten changing exhibitions yearly that cover a range of periods, styles, and media. Works from public and private collections throughout New England, as well as the Museum's permanent collection, provide the focus of important, widely acclaimed exhibitions.
Past exhibitions have included the etchings and engravings of Dürer and Rembrandt, contemporary work by New Hampshire artists, New England landscape painting, and nineteenth-century Japanese prints, among others. The Museum of Art has also produced a series of major exhibitions examining the artistic heritage of New Hampshire, focusing on the Isles of Shoals, the White Mountains, the art colonies of Cornish and Dublin, New Hampshire folk art, and the state's traditional arts made of wood.

The Museum of Art also regularly presents exhibitions of the University of New Hampshire's art faculty members, alumni, and graduate and undergraduate art students.

Our exhibitions and programs are supported in part by the Friends of the Museum of Art.


On View in the Mills Courtyard



Cardinal, Dale Rogers, Photo Valerie Lester

Cardinal,  powder-coated steel, eight-foot-tall sculpture, 2016, Dale Rogers, Photography Valerie Lester 


Dale Rogers: Cardinal

Cardinal, an enlarged version of the popular red bird found on his 2012 Bird in Hand sculpture. This arresting sculpture is placed at the intersection of Main Street and Pettee Brook Lane. Rogers’ outdoor sculptures maintain a human-scale and recognizable imagery to make them approachable. He entices people to get close to the work through the ease of familiar designs and the appeal of organic flowing lines and elegant mix of durable materials.

Rogers believes it is important to make art accessible to the public. “Art,” he states, “is the spark that feeds the imagination and generates conversation.” We couldn’t agree more. I wish to thank Dale and “Team Rogers,” the artist’s crew of studio assistants and metal and glass fabricators, for their collegiality and help coordinating the installation of these two captivating sculptures.

Wendy Klemperer, Chain-Hound VI, 2000, steel and epoxy, 48” x 60” x 48”, photo credit: Lisa Nugent

Wendy Klemperer: Restraint and Release

Brooklyn-based artist Wendy Klemperer fashions arresting, realistic looking wildlife sculptures from welded scraps of steel—a material that conveys the raw, untamed quality of the animals she depicts. Wendy Klemperer: Restraint and Release is on view in the Mills Courtyard with support from the FEDCO Charitable Foundation.