January 24 – March 30, 2019  (closed March 8-17)


Yoav Horesh , Haim Ozer Street, Jerusalem. 3/2/2002, August 2003, gelatin Silver print, 16" x 20"

Yoav Horesh , Haim Ozer Street, Jerusalem. 3/2/2002, August 2003, gelatin Silver print, 16" x  20"

Yoav Horesh: Aftermath

Reception, Thursday, January 24, 5 p.m. – 7 p.m.

From 2002–2005, Yoav Horesh photographed hundreds of sites in Israel of suicide bombings, months and even years after the destructive blasts. The apparent return to normalcy or the abandonment of spaces reveals a society accustom to random violence on a massive scale. In an increasingly desensitized environment of war imagery, Horesh challenges us to think about the aftermath.

Sheida Soleimani, Delara 2, 2015, Archival pigment print, 40" x 27"

Sheida Soleimani, Delara 2, 2015, archival pigment print, 40" x 27"

Sheida Soleimani, Delara 2, 2015, archival pigment print, 40" x 27"

Messengers: Artists as Witnesses

Reception, Thursday, January 24, 5 p.m. – 7 p.m.

Ten contemporary regional and national artists create work that gives voice to others, acting as witnesses by recounting significant events and personal narratives that go beyond media accounts and by doing so acting as harbingers for social change. Themes addressed include incarceration, criminality, state-sanctioned violence, terrorism and evil. Exhibiting artists include: Sanford Biggers, Philip Brou, Daniel Heyman, Alix Lambert, Shaun Leonardo, Dan Mills, Cheryl Pope, Rudy Shepherd, Sheida Soleimani, and Stephen Tourlentes.



April 12 – May 17, 2019

Reception, Friday, April 12, 2019 6 p.m. – 8 p.m.

Celebrating Piscataqua Region Artist Advancement Grant given by the New Hampshire Charitable Foundation. This award recognizes the important contribution of working artists to the cultural life of the region by providing an annual financial award to promote the artistic growth of visual artists. 



MFA Thesis Exhibition & Senior BA & BFA Exhibition

This annual exhibition celebrates the achievements of the Master of Fine Arts, Bachelor of Arts and Bachelor of Fine Arts degree candidates from the University’s Department of Art and Art History.


Yu-Wen Wu: High-Water Mark

3S Artspace, 19 Vaughan Street, Portsmouth, NH  

April 19 - May 26, 2019
Art 'Round Town monthly art walk in Portsmouth: Friday, May 3,  5 pm- 8 pm

Artist Reception: Friday, April 19, 5 pm- 8 pm

High-Water Mark is a multimedia, regionally specific installation by Boston-based artist Yu-Wen Wu. Born in Taipei, Taiwan, Wu’s experiences as an immigrant have shaped the themes of her work: examining issues of displacement, movement, assimilation, culture and identity. High-Water Mark focuses on rising sea levels, storm surge flooding, and the projected displacement of people who live in the New Hampshire and Maine sea coast region. Visualizing data with video, maps, and graphs, Wu is the proverbial migrant, making connections between natural and built environments, cultural systems, and seeing relationships between past and present that will help us navigate an unfamiliar ecosystem and an environment in flux.

High-Water Mark was organized by the University of New Hampshire and curated by Kristina Durocher, Director, Museum of Art, supported by the UNH Arts Initiative. The UNH Arts Initiative is a donor-funded project that supports UNH arts programming in New Hampshire, taking the great art created in Durham to all corners of the State.  Additional support was provided by 3S Artspace.


Yu Wen, High Water Mark, video still (detail), 2019

image credits: Yu Wen, High Water Mark, video still (detail), 2019



Exhibitions at the Museum of Art

The Museum of Art presents eight to ten changing exhibitions yearly that cover a range of periods, styles, and media. Works from public and private collections throughout New England, as well as the Museum's permanent collection, provide the focus of important, widely acclaimed exhibitions.
Past exhibitions have included the etchings and engravings of Dürer and Rembrandt, contemporary work by New Hampshire artists, New England landscape painting, and nineteenth-century Japanese prints, among others. The Museum of Art has also produced a series of major exhibitions examining the artistic heritage of New Hampshire, focusing on the Isles of Shoals, the White Mountains, the art colonies of Cornish and Dublin, New Hampshire folk art, and the state's traditional arts made of wood.

The Museum of Art also regularly presents exhibitions of the University of New Hampshire's art faculty members, alumni, and graduate and undergraduate art students.

Our exhibitions and programs are supported in part by the Friends of the Museum of Art.


On View in the Mills Courtyard

Dale Rogers

Dale Rogers: Seasons & Cardinal

Mills courtyard pops with energy this fall with the installation of sculptor Dale Rogers' Seasons, a stand of four stylized steel and fused-glass trees. Designed specifically for the Museum of Art and custom fabricated in his Haverhill, Massachusetts studio, each of the trees has a unique and vivid glass pattern representing one of the New England seasons. This installation is supported by FEDCO Charitable Foundation.

A second sculpture, Cardinal, is installed on the corner of Pettee Brooke Road and Main Street on campus.

Wendy Klemperer, Chain-Hound VI, 2000, steel and epoxy, 48” x 60” x 48”, photo credit: Lisa Nugent

Wendy Klemperer: Restraint and Release

Brooklyn-based artist Wendy Klemperer fashions arresting, realistic looking wildlife sculptures from welded scraps of steel—a material that conveys the raw, untamed quality of the animals she depicts. This two-year exhibition features Chain Hounds and Caribou (Ihumataq), which is located at the front of the Johnson Theatre, Paul Creative Arts Center. Wendy Klemperer: Restraint and Release will be on view in the Mills Courtyard through May 2015, and is provided with support from the FEDCO Charitable Foundation.

Also on view near the Johnson Theatre at the Paul Creative Arts Center is Wendy Klemperer's full-size metal sculpture, Caribou (Ihumataq).