Daniel Beller-McKenna teaches music history at the University of New Hampshire where he has been on the faculty since 1998. Previously he served on the faculty of the University of South Carolina. He holds degrees in Journalism and Music from Temple University in Philadelphia where he studied classical guitar and music history, and from Harvard University where he wrote his dissertation on Brahms’s later settings of biblical texts. His research has continued to focus on Brahms, including the 2004 monograph Brahms and the German Spirit, which examines Brahms and nationalism. He is currently completing a book on issues of memory and nostalgia in Brahms’s music and its reception, as well as articles on the use of Brahms’s music in French literature and film in the mid-twentieth century. His articles on Brahms have appeared in 19th Century Music, The Journal of Musicology, Music & Letters, and other scholarly journals. Additionally he has published articles on John Lennon and the Beatles. Beller-McKenna serves on the Board of Directors of the American Brahms Society, of which he was President from 2001-2007, and has served as President of the New England Chapter and on various committees of the American Musicological Society.
Ph.D., Music, Harvard University
M.M., Music, Temple University
B.A., Music, Temple University
19th century music
20th century Popular music
Beller-McKenna, D. (2018). Imagination and Memory: Inter-movement Thematic Recall in Beethoven and Brahms. Nineteenth Century Music Review, 15(2).
Beller-McKenna, D. (2018). Driving Stones Country in Five Songs. In V. Coelho, & J. Covach (Eds.), Cambridge Companion to the Rolling Stones. Cambridge (UK): Cambridge University Press.
Beller-McKenna, D. (2017). Vous souvenez-vous de Brahms? Brahms and Memory in Françoise Sagan's Aimez-vous Brahms . .. American Brahms Society Newsletter, 1-4.
Beller-McKenna, D. (2009). The Price of Assimilation: Felix Mendelssohn and the Nineteenth-Century Anti-Semitic Tradition, by Jeffrey Sposato . Oxford and New York: Oxford University Press, 2006. xi, 228 pp.. Journal of the American Musicological Society, 62(3), 737-742. doi:10.1525/jams.2009.62.3.737
Beller-McKenna, D. (2005). Distance and Disembodiment: Harps, Horns, and the Requiem Idea in Schumann and Brahms. The Journal of Musicology, 22(1), 47-89. doi:10.1525/jm.2005.22.1.47
Beller-McKenna, D. (2004). Brahms and the German Spirit. Cambridge, MA: Harvard UP.
Beller-McKenna, D. (2003). The Beatles as Musicians: The Quarry Men through Rubber Soul (review). Notes, 59(3), 614-615. doi:10.1353/not.2003.0002
Beller‐McKenna, D. (2001). The rise and fall of Brahms the German. Journal of Musicological Research, 20(3), 187-210. doi:10.1080/01411890108574788
BELLER-MCKENNA, D. (1999). BEATLE-JOHN'S 'ALTER EGO'. Music and Letters, 80(2), 254-268. doi:10.1093/ml/80.2.254
Beller-McKenna, D. (1998). How deutsch a requiem? Absolute music, universality, and the reception of Brahm's Ein 'Deutsches Requiem', op. 45. NINETEENTH CENTURY MUSIC, 22(1), 3-19. Retrieved from http://gateway.webofknowledge.com/