
Rose Pruiksma
Courses Taught
- INCO 790: Advanced Research Experience
- MUSI 404: Intro Music,Media,Moving Image
- MUSI 405: Survey of Music in America
- MUSI 444: Hon/Music and Social Change
- MUSI 502: Musics in Context
- MUSI 515: Music in World Cultures
- MUSI 540: Recital Attendance
- MUSI 701: Topics in Music History
- MUSI 713/813: Art Song
- MUSI 869: Musicology Seminar
- MUSI 891: Research Seminar
Education
- Ph.D., Musicology and Ethnomusicology, University of Michigan
- M.A., Musicology and Ethnomusicology, University of Michigan
- M.M., Music, University of Michigan
- B.A., Music, Calvin College
Research Interests
- Music history
Selected Publications
Pruiksma, R. (2018). Of Dancing Girls and SarabandesMusic, Dance, and Desire in Court Ballet, 1651–1669. Journal of Musicology, 35(2), 145-182. doi:10.1525/jm.2018.35.2.145
Pruiksma, R. A. (2015). Pomey rewrites Scudery: the novel source for Pomey's rhetorical sarabande description. EARLY MUSIC, 43(3), 383-+. doi:10.1093/em/cav048
Pruiksma, R. A. (2003). Generational conflict and the foundation of the Academie-Royale-de-Danse: A reexamination. DANCE CHRONICLE, 26(2), 169-187. doi:10.1081/DNC-120021707
Pruiksma, R. A. (2002). Music, Sex, and Ethnicity: Signification in Lully's Theatrical Chaconnes. In T. M. Borgerding (Ed.), Gender, Sexuality, and Early Music (Vol. n/a, 2002 ed., pp. 227-248). London & New York: Routledge. Retrieved from https://www.routledge.com/
Pruiksma, R. (n.d.). Preparing the Nobility for War: The politics of the _Ballet des Triomphes_ (1635). In R. Harris-warrick, J. -N. Laurenti, & M. -F. Bouchon (Eds.), La danse française et son rayonnement: forthcoming. Garnier.