Charli g Valdez teaches Latina/o Literature, American Literature, and Literature and the Visual Arts at the University of New Hampshire. Recipient of a Fulbright for his dissertation research in Spain, he received his A.M. in comparative literature at Brown University and his Ph.D. in literature and creative writing at the University of Houston. He has presented on Chicana/o culture at the MLA and other conferences and has recently published fiction in the Saranac Review and scholarship in Film and Literary Modernism and The Great Recession in Fiction, Film, and Television: Twenty-First-Century Bust Cultur
Ph.D., Creative Writing, University of Houston
Ph.D., Literature, University of Houston
A.M., Brown University
A.B., Cornell University
ENGL 401: First-Year Writing
ENGL 415: Literature and Medicine
ENGL 419: Intro to Literary Analysis
ENGL 560: Intro to Latinx Lit & Culture
ENGL 650: Studies American Lit & Cult
WS 401: Intro to Women's Studies
WS 405: Gender, Power and Privilege
Valdez, C. (2019). “Critical Race Theory, Transborder Theory, and Code Switching in the Trump Years.”. In Critical Theory and the Humanities in the Age of the Alt-Right. Palgrave Macmillan.
Valdez, C. G. (2018). Chicanx Dystopia-Contesting Dystopia. The St. John’s University Humanities Review: Special Issua: “Race, Dystopia, and American Identity”, 15(1), 56-72.
Valdez, C. G. (2017). Serial’s Aspirational Aesthetics and Racial Erasure. In The “Serial” Podcast and Storytelling in the Digital Age (pp. 101-113). Taylor & Francis.
Valdez, C. G. (2015). Reveal the Living Map of Latina/o Letters. In T. Hetland (Ed.), Digital Assignments for the Literature Classroom: A Professional Resource.. Bedford.
Valdez, C. G. (2013). Racing To Have and Have Not. In Film and Literary Modernism (pp. 124-130). Newcastle upon Tyne, England: Cambridge Scholars.
Valdez, C. G. (2013). Driving with Michael Chabon: Road Ways, Litter and the Volvo in the Early Stories.. In J. Kavadlo, & B. Batchelor (Eds.), Michael Chabon’s America: Magical Words, Secret Worlds, and Sacred Spaces. Scarecrow.
Valdez, C. G. (2013). Latin@ Liminality, Erasure & Exclusion in Great Recession Television. In K. Boyle, & D. Mrozowski (Eds.), The Great Recession in Fiction, Film, and Television: Twenty-First-Century Bust Culture. Lexington.
Valdez, C. G. (2008). Expresión autoetnográfica: consciencia de oposición en las literaturas de los Estados Unidos. Revista de Antropología Social 17: Anthropology & Literature, 73-94.
Valdez, C. G. (2006). Cursing Eloquence & Caliban’s Dialogism. In M. Cantero (Ed.), Language and Identity in Chicano/Latino Discourse (pp. 1-15). Lincom Europa.
Valdez, C. G. (2005). Writing Paintings. In AWP Pedagogy Papers. AWP.