Delia Konzett
Research Interests
- Asia-Pacific Studies; modernism
- Asian/Pacific Islanders
- Cinema studies
- Colonialism
- Film history
- Film theory
- Media studies
- Modernism
- Orientalism
- US imperialism
- Visual culture
- War
Courses Taught
- 533: Introduction to Film Studies
- 616A: Studies in Film/Genre
- 616B: Studies in Film/Indie Film
- 788: Senior Honors
- ENGL 401: First-Year Writing
- ENGL 533: Introduction to Film Studies
- ENGL 616A: Studies in Film/Genre
- ENGL 616B: Studies in Film/Authorship
- ENGL 778: Race and Gender in Film
- ENGL 788: Senior Honors
Selected Publications
Konzett, D. M. (n.d.). Kubrick’s Red Room: Architecture, Race, and Nationhood in The Shining. Quarterly Review of Film and Video, 1-24. doi:10.1080/10509208.2022.2101341
Yu, G., Singer, E., Gyenge, A., Tucker, A., Hristova, S., Cortez, I., . . . Bode, L. (2022). Faces on Screen: New Approaches. In A. Maurice (Ed.), Faces on Screen: New Approaches. Edinburgh UK: Edinburgh University Press. Retrieved from https://edinburghuniversitypress.com/book-faces-on-screen.html
Konzett, D. M. (n.d.). Black and Blue in Florida: Moonlight’s Poetics of Space and Identity. Quarterly Review of Film and Video, 1-21. doi:10.1080/10509208.2021.1946258
Konzett, D. (2020). The South Pacific as the Final Frontier: Hollywood's South Seas Fantasies, the Beachcomber, and Militarization. In J. Lahti, & R. Weaver-Hightower (Eds.), Cinematic Settlers The Settler Colonial World in Film. New York and London: Routledge. Retrieved from https://www.routledge.com/
Konzett, D. (2019). Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937). In Hollywood at the Intersection of Race and Identity (pp. 84-102). New Brunswick, NJ: Rutgers University Press. Retrieved from https://www.rutgersuniversitypress.org/
Konzett, D. (2019). Hollywood at the Intersection of Race and Identity: Introduction. In D. M. Konzett (Ed.), Hollywood at the Intersection of Race and Identity (pp. 1-18). New Brunswick, NJ: Rutgers University Press.
Konzett, D. M., Mayer, R., Maurice, A., Scott, E. C., Eagle, J., Friedman, R. J., . . . Wallenberg, L. (2019). Hollywood at the Intersection of Race and Identity. D. M. Konzett (Ed.), Rutgers UP. Retrieved from https://www.rutgersuniversitypress.org/
KONZETT, D. (2004). War and Orientalism in Hollywood Combat Film. Quarterly Review of Film and Video, 21(4), 327-338. doi:10.1080/10509200490461414
Konzett, D. C. (2002). Ethnic Modernisms, Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation. doi:10.1057/9780230107533
Konzett, D. C. (1997). Administered identities and linguistic assimilation: The politics of immigrant English in Anzia Yezierska's 'Hungry Hearts'. AMERICAN LITERATURE, 69(3), 595-619. doi:10.2307/2928216
Most Cited Publications