Delia Konzett

Delia Konzett

PROFESSOR
Office: English, Hamilton Smith Hall Rm 3, Durham, NH 03824
Websites:
Pronouns: She/her/hers

Courses Taught

  • ENGL 401: First-Year Writing
  • ENGL 533: Intro to Film Studies
  • ENGL 616A: Studies in Film/Genre
  • ENGL 616B: Studies in Film/Indie Film
  • ENGL 778: Race and Gender in Film
  • ENGL 788: Senior Honors

Education

  • Ph.D., English Language&Literature, University of Chicago
  • M.A., English Language&Literature, University of Chicago
  • B.A., Georgia State University

Research Interests

  • Asia-Pacific Studies; modernism
  • Asian/Pacific Islanders
  • Cinema studies
  • Colonialism
  • Film history
  • Film theory
  • Media studies
  • Modernism
  • Orientalism
  • US imperialism
  • Visual culture
  • War

Selected Publications

  • Konzett, D. M. (2024). Kubrick’s Red Room: Architecture, Race, and Nationhood in The Shining. Quarterly Review of Film and Video, 41(2), 151-174. doi:10.1080/10509208.2022.2101341

  • Konzett, D. M. (2023). The Dysmorphic Masculine Body of Hollywood: Tarzan, Rocky, and Creed. Quarterly Review of Film and Video, 1-29. doi:10.1080/10509208.2023.2261358

  • Konzett, D. M. (2022). Black and Blue in Florida: Moonlight’s Poetics of Space and Identity. Quarterly Review of Film and Video, 39(7), 1515-1535. doi:10.1080/10509208.2021.1946258

  • Yu, G., Singer, E., Gyenge, A., Tucker, A., Hristova, S., Cortez, I., . . . Bode, L. (2022). "Black Faces Matter: Close-ups in Selma, Fruitvale Station, and Moonlight". In A. Maurice (Ed.), Faces on Screen: New Approaches. Edinburgh UK: Edinburgh University Press. Retrieved from https://edinburghuniversitypress.com/book-faces-on-screen.html

  • Konzett, D. (2020). The South Pacific as the Final Frontier: Hollywood's South Seas Fantasies, the Beachcomber, and Militarization. In J. Lahti, & R. Weaver-Hightower (Eds.), Cinematic Settlers The Settler Colonial World in Film. New York and London: Routledge. Retrieved from https://www.routledge.com/

  • Konzett, D. (2019). Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937). In Hollywood at the Intersection of Race and Identity (pp. 84-102). New Brunswick, NJ: Rutgers University Press. Retrieved from https://www.rutgersuniversitypress.org/

  • Konzett, D. (2019). Hollywood at the Intersection of Race and Identity: Introduction. In D. M. Konzett (Ed.), Hollywood at the Intersection of Race and Identity (pp. 1-18). New Brunswick, NJ: Rutgers University Press.

  • KONZETT, D. (2004). War and Orientalism in Hollywood Combat Film. Quarterly Review of Film and Video, 21(4), 327-338. doi:10.1080/10509200490461414

  • Konzett, D. C. (2002). Ethnic Modernisms, Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation. doi:10.1057/9780230107533

  • Konzett, D. C. (1997). Administered identities and linguistic assimilation: The politics of immigrant English in Anzia Yezierska's 'Hungry Hearts'. AMERICAN LITERATURE, 69(3), 595-619. doi:10.2307/2928216

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  • Most Cited Publications